Program Blondie Parallel Lines Rapidshare

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Blondie is a radio situation comedy adapted from the long-run Blondiecomic strip by Chic Young. The radio program had a long run on severalnetworks from 1939 to 1950. After Penny Singleton was cast in the titlerole of the feature film Blondie (1938), co-starring with Arthur Lake asDagwood (the first in a series of 28 produced by Columbia Pictures);she and Lake repeated their roles December 20, 1938, on The PepsodentShow starring Bob Hope. The appearance with Hope led to their own show,beginning July 3, 1939, on CBS as a summer replacement for The EddieCantor Show. However, Cantor did not return in the fall, so the sponsor,R.J. Reynolds' Camel Cigarettes chose to keep Blondie on the airMondays at 7:30pm.

2008–12: Parallel Lines 30th Anniversary Tour and Panic of Girls Chris Stein, Debbie Harry, and Tommy Kessler perform at the Mountain Winery in Saratoga, California in 2012. On June 5, 2008, Blondie commenced a world tour to celebrate the 30th anniversary of Parallel Lines with a concert at Ram's Head Live in Baltimore, Maryland.

Camel remained the sponsor through the early WWIIyears until June 26, 1944.In 1944, Blondie was on the NBC BlueNetwork, sponsored by Colgate-Palmolive's Super Suds, airing Fridays at7pm from July 21 to September 1. The final three weeks of that runoverlapped with Blondie's return to CBS on Sundays at 8pm from August13, 1944, to September 26, 1948, still sponsored by Super Suds.Beginning in mid-1945, the 30-minute program was heard Mondays at7:30pm. Super Suds continued as the sponsor when the show moved to NBCon Wednesdays at 8pm from October 6, 1948, to June 29, 1949. When PennySingleton left the radio series in the mid-1940s, Patricia Lake, theformer Patricia Van Cleeve, replaced her as the voice of Blondie for theremaining five years of the show, opposite her real-life husband ArthurLake. Ann Rutherford and Alice White were also heard as radio'sBlondie. In 1954,Lake also co-starred with her husband in an earlytelevision sitcom he created called Meet the Family.

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Blondie (1976)Plastic Letters (1977)Parallel Lines (1978)Eat to the Beat (1979)Autoamerican (1980)The Hunter (1982)No Exit (1999)The Curse of Blondie (2003)Blondie is an American rock band, founded by singer Deborah Harry and guitarist Chris Stein. The band was a pioneer in the early American New Wave and punk scenes of the mid-1970s. Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including 'Call Me', 'Atomic' and 'Heart of Glass' and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a New Wave band.Blondie broke up after the release of their sixth studio album The Hunter in 1982. Deborah Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.The band reformed in 1997, achieving renewed success and a number one single in the United Kingdom with 'Maria' in 1999.

The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold 40 million records worldwide and is still active today. Their ninth studio album, Panic of Girls, was released in 2011.Inspired by the burgeoning new music scene at the Mercer Arts Center, Chris Stein sought to join a similar band. He joined The Stilettos in 1973 as their guitarist and formed a romantic relationship with one of the band's vocalists, Deborah Harry, a former waitress and Playboy Bunny.

Harry had been a member of a folk-rock band, The Wind in the Willows, in the late 1960s. In 1974, Stein parted ways with The Stilettos and Elda Gentile, the band's originator. Stein and Harry formed a new band with drummer Billy O'Connor and bassist Fred Smith. By 1975, after some personnel turnover (including sisters Tish and Snooky Bellomo on backing vocals), Stein and Harry were joined by drummer Clem Burke, keyboard player Jimmy Destri and bass player Gary Valentine. Originally billed as Angel and the Snakes, they renamed themselves Blondie in late 1975. The name derived from comments made by truck drivers who catcalled 'Hey, Blondie' to Harry as they drove by.Blondie became regulars at Max's Kansas City and CBGB. Their debut album Blondie (UK No.

14) was issued in December 1976. In September 1977, Blondie bought back its contract with Private Stock and then signed with Chrysalis Records.

The first album was re-released on the new label in October 1977. Rolling Stone's review of the debut album observed the eclectic nature of the group's music, comparing it to Phil Spector and The Who, and commented that the album's two strengths were Richard Gottehrer's production and the persona of Deborah Harry, saying she performed with 'utter aplomb and involvement throughout: even when she's portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending.' It also noted that Harry was the 'possessor of a bombshell zombie's voice that can sound dreamily seductive and woodenly Mansonite within the same song'The band's first commercial success occurred in Australia in 1977, when the music television program Countdown mistakenly played their video 'In the Flesh', which was the B-side of their current single 'X-Offender'. Jimmy Destri later credited the show's Molly Meldrum for their initial success, commenting that 'we still thank him to this day' for playing the wrong song.

In a 1998 interview, drummer Clem Burke recalled seeing the episode in which the wrong song was played, but he and Chris Stein suggested that it may have been a deliberate subterfuge on the part of Meldrum. Stein asserted that 'X-Offender' was 'too crazy and aggressive to become a hit', while 'In the Flesh' was 'not representative of any punk sensibility. Over the years, I've thought they probably played both things but liked one better. In retrospect, Burke described 'In the Flesh' as 'a forerunner to the power ballad'less.